Passage Sets: One Pulls Pivots at the Tip of the Tongue AI-researched
Seaman, Bill, 1995
Japan | 30' | 9*5 m (W*D) | dt: 3 Projektionen á 220 x 300 cm, Videoprojektor, 2 Datenprojektoren, Laserdisk-Player, Video/Audio auf Laserdisk, Verstärker, 2 Lautsprecher, Trackball, 1 Nutzer, Trackball-Ständer, Umax Pulser 150, Apple Performa, Macromedia Director. en: 3 projections 220 x 300 cm, video projector, 2 data projectors, laserdisc player, video/audio on laserdisc, amplifier, 2 speakers, trackball, 1 user, trackball stand, Umax Pulser 150, Apple Performa, Macromedia Director. | <span class='title'>Concept:</span> Bill Seaman | <span class='title'>Camera:</span> Bill Seaman | <span class='title'>Sound:</span> Shin-ichi Takahashi | <span class='title'>Music:</span> Bill Seaman, Tony Wheeler (Sax), Chatherine Hewgill (Violoncello) | <span class='title'>Participants:</span> Jenny Almendinger, Yasuaki Matsumoto | <span class='title'>Programming:</span> Christian Ziegler | <span class='title'>Schnitt:</span> ZKM Karlsruhe | <span class='title'>Edition / Production:</span> Bill Seaman, Andrew McClellan / ICC Tokyo / ZKM | <span class='title'>Archive / Collection:</span> ZKM Videosammlung, Karlsruhe | interactive installation
Sourced from Media Art Net.